Velázquez had in 1629 gone to live …

Years: 1632 - 1632

Velázquez had in 1629 gone to live in Italy for a year and a half.

Though his first Italian visit is recognized as a crucial chapter in the development of Velázquez's style—and in the history of Spanish Royal Patronage, since Philip IV sponsored his trip—we know rather little about the details and specifics: what the painter saw, whom he met, how he was perceived and what innovations he hoped to introduce into his painting.

During his stay in Rome, Velázquez had made various nude studies he uses in later paintings, such as Apollo at the Forge of Vulcan (1630) and Joseph's Tunic (1630).

Art critics assert that the study for his Christ Crucified, a frontal nude, is exceptional and masterly in its fusion of serenity, dignity and nobility.

Diego Velázquez: Christ Crucified (1632)Oil on canvas 170 cm × 249 cm (67 in × 98 in) Museo del Prado, Madrid

Diego Velázquez: Christ Crucified (1632) Oil on canvas 170 cm × 249 cm (67 in × 98 in) Museo del Prado, Madrid

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