The Emergence of the International Gothic …

Years: 1324 - 1335

The Emergence of the International Gothic Style

By the late 14th century, Gothic sculpture had evolved into a more refined and elegant form, characterized by an increasing emphasis on grace, fluidity, and decorative intricacy. This artistic refinement manifested in exaggerated drapery, with finely carved, almost mannered folds, lending figures a sense of dainty artificiality and ethereal beauty.

This stylistic shift extended beyond sculpture, influencing painting and manuscript illumination across Europe. The movement, later recognized by historians as the International Gothic style, flourished in courts and artistic centers from France and the Low Countries to Italy, Bohemia, and England.

Key characteristics of International Gothic art include:

  • Slender, elongated figures with stylized elegance and courtly refinement.
  • Exquisite detailing in drapery, fabrics, and facial expressions.
  • A preference for delicate, ornamental compositions over the weightier realism of earlier Gothic styles.
  • A blending of naturalism and idealization, particularly in manuscript miniatures and panel painting.

This style would dominate European courtly art from the late 14th to early 15th centuries, reaching its height in works associated with the Valois, Burgundian, and Bohemian courts, before eventually giving way to the more structured perspective and realism of the Early Renaissance.

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