The origins of Nicola Pisano may lie …
Years: 1259 - 1259
The origins of Nicola Pisano may lie in Apulia, where he may have been influenced by Emperor Frederick II's attempts to imbue his court with a classical atmosphere by commissioning works of art executed in the ancient Roman style.
In any case, Pisano, who had moved to Pisa between 1245 and 1250, where his son Giovanni was born, is among the first of the Gothic sculptors to draw inspiration from antique sources and to assimilate classical style.
He had received a commission for the pulpit in the baptistery of Pisa around 1255.
In this pulpit, considered one of his masterworks, he succeeds in making a synthesis of the French Gothic style with the Classical style of ancient Rome, as he had seen on the sarcophagi of the Camposanto in Pisa, such as the scene Meleager hunting the Calydonian Boar on a sarcophagus brought as booty to Pisa by its navy.
The influence of Hellenistic sarcophagi is apparent in the nude (surprisingly) Hercules figure representing Fortitude, and in the expressive but restrained narrative relief panels of the life of Christ, executed by Pisano, in the Late Romanesque style, for the hexagonal pulpit, completed in 1259.
He has been aided by several assistants, among whom are Arnolfo di Cambio and Lapo di Ricevuto.
Between 1260 and 1264, he will complete the work of the architect Diotisalvi on the dome of the baptistery, increasing its height with a system of two domes: a small truncated cone on top of the hemispherical dome.
