The Mosan goldsmith Nicholas of Verdun produces …

Years: 1181 - 1181

The Mosan goldsmith Nicholas of Verdun produces a series of highly influential works in the Romanesque style, including the engraved and enameled altar frontal plaques for the chapel St. Leopold in the Klosterneuburg Monastery, near Vienna, completed in 1181, which splendidly revive the classical spirit of the Liege reliefs executed by Nicholas’ fellow Mosan goldsmith, Renier de Huy.

Its three parts comprise fofty-five gilded copper plates modeled on Byzantine paragons, similar to the Shrine of the Three Kings at Cologne Cathedral.

Originally manufactured as panels, they will be assembled as an altar in secondary utilization circa 1330.

The tripartite concept is reflected in the arrangement of the plates.

According to the biblical exegesis, the depictions are split into three rows of the eras of Adam and Noah, of Abraham, David and the Babylonian captivity and finally of Jesus' life, placed in the central part.

The columns of adjacent plates of different ages symbolize their connection according to the ideas of the typology theory.

The arrangement may refer to the mystic doctrines of the medieval theologian Hugh of Saint Victor.

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