The first major work of Cecilia Beaux, …

Years: 1885 - 1885
August

The first major work of Cecilia Beaux, who is now thirty, is a full-length portrait of her sister and nephew entitled Last Days of Infancy (1883-84, private collection), exhibited in 1885 at the Pennsylvania Academy of the Fine Arts.

The fame of the Pennsylvania Academy as a center for the best art instruction in the country had spread among young artists, yet notoriety accompanies repute, and objections had been voiced increasingly from outside the academy to Thomas Eakins' unrestrained use of nude models in front of mixed classes.

The suspicious are unable to accept Eakins' assurance that the relationship between artist and model is as innocent, objective, and professional as that between doctor and patient.

Cecilia, left by her widowed father to be reared by relatives in New York City and later West Philadelphia, had been educated at home and for two years at a Philadelphia finishing school.

She had taken up the study of art at sixteen.

Under the tutelage of her cousin, Catharine Drinker Janvier, an artist and writer of some note, and later of Adolf van der Whelen and William Sartain, she had rapidly developed into a skilled painter and in 1883 opened a studio in Philadelphia.

Cecilia Beaux; Les Derniers jours d'enfance (The Last Days of Infancy), 1883-5. Oil on canvas. 45 3/4 x 54 in. (116.2 x 137.2 cm). Pennsylvania Academy of the Fine Arts, Philadelphia

Cecilia Beaux; Les Derniers jours d'enfance (The Last Days of Infancy), 1883-5. Oil on canvas. 45 3/4 x 54 in. (116.2 x 137.2 cm). Pennsylvania Academy of the Fine Arts, Philadelphia

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