The complex and enigmatic composition of Velázquez’s Las Meninas (Spanish: The Maids of Honor) raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted.

Because of these complexities, Las Meninas has been one of the most widely analyzed works in Western painting.

The painting shows a large room in the Madrid palace of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot.

Some look out of the canvas towards the viewer, while others interact among themselves.

The young Infanta Margarita is surrounded by her entourage of maids of honor, chaperone, bodyguard, two dwarves and a dog.

Just behind them, Velázquez portrays himself working at a large canvas.

Velázquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand.

In the background there is a mirror that reflects the upper bodies of the king and queen.

They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on.

Las Meninas has long been recognized as one of the most important paintings in Western art history.