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Rembrandt's paintings have varied greatly in size, …

Years: 1647 - 1647

Rembrandt's paintings have varied greatly in size, subject, and style in the decade following his Night Watch.

The previous tendency to create dramatic effects primarily by strong contrasts of light and shadow has given way to the use of frontal lighting and larger and more saturated areas of color.

Simultaneously, figures have come to be placed parallel to the picture plane.

These changes can be seen as a move toward a classical mode of composition and, considering the more expressive use of brushwork as well, may indicate a familiarity with Venetian art (Susanna and the Elders, 1637–47).

At the same time, there is a marked decrease in painted works in favor of etchings and drawings of landscapes.

In these graphic works, natural drama eventually makes way for quiet Dutch rural scenes.