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People: Konstantin Stoilov

Contemporary writers praise Praxiteles’s statue of the …

Years: 345BCE - 334BCE

Contemporary writers praise Praxiteles’s statue of the goddess Aphrodite—a standing nude in a languorous pose, her drapery half-covering a water jar—as the Aphrodite of Cnidus.

The statue becomes famous for its beauty, meant to be appreciated from every angle, and for being the first life-size representation of the nude female form.

It depicts the goddess Aphrodite as she prepared for the ritual bath that restored her purity (not virginity), discarding her drapery in her left hand, while modestly shielding herself with her right hand.

According to a possibly apocryphal account by Pliny, Praxiteles received a commission from the citizens of Kos for a statue of the goddess Aphrodite.

Praxiteles then created two versions—one fully draped, and the other completely nude.

The shocked citizens of Kos rejected the nude statue and purchased the draped version.

The design and appearance of the draped version is today unknown as it didn't survive, nor did it appear to have merited attention, to judge from the lack of surviving accounts.

The rejected nude is purchased by some citizens of Knidos and set up in an open air temple that permits viewing of the statue from all sides.

It quickly becomes one of the most famous works by Praxiteles for the bold depiction of Aphrodite as proudly nude.

Praxiteles was alleged to have used the courtesan Phryne as a model for the statue, which added to the gossip surrounding its origin.

The statue becomes so widely known and copied that in a humorous anecdote the goddess Aphrodite herself came to Knidos to see it.

The Cnidian Aphrodite has not survived.

Possibly the statue was removed to Constantinople (modern Istanbul) and was lost in a fire during the Nika riots.

It was one of the most widely copied statues in the ancient world, so a general idea of the appearance of the statue can be gleaned from the descriptions and replicas that have survived to the modern day.

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