Brilliantly colored frescoes and stucco bas-reliefs decorate …

Years: 1629BCE - 1486BCE

Brilliantly colored frescoes and stucco bas-reliefs decorate the walls of the Minoan palaces.

As the remains are only fragments, fresco reconstruction and placement by the artist Piet de Jong is not without controversy.

These sophisticated, colorful paintings portray a society which, in comparison to the roughly contemporaneous art of Middle and New Kingdom Egypt, is either conspicuously non-militaristic or does not choose to portray military themes anywhere in its art.

One remarkable feature of their art is the color-coding of the sexes: the men are depicted with ruddy skin, the women as milky white.

Almost all their pictures are of young or ageless adults, with few children or elders depicted.

In addition to scenes of men and women linked to activities such as fishing and flower gathering, the murals also portray athletic feats.

The most notable of these is bull-leaping, in which an athlete grasps the bull's horns and vaults over the animal's back.

The question remains as to whether this activity was a religious ritual, possibly a sacrificial activity, or a sport, perhaps a form of bullfighting.

Many people have questioned if this activity is even possible; the fresco might represent a mythological dance with the Great Bull.

The most famous example is the Toreador Fresco, painted around 1550-1450 BCE, in which a young man, flanked by two women, apparently leaps onto and over a charging bull's back.

The fresco's curving lines and bright reds and blues characterize the lively, vigorous Minoan artistic style.

It is now located in the archaeological Museum of Herakleion in Crete.

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