Baciccia, the byname of Genoese painter Giovanni …

Years: 1685 - 1685
May

Baciccia, the byname of Genoese painter Giovanni Battista Gaulli, had been a student of Luciano Borzone, was also influenced by the works of Sir Anthony Van Dyck and Bernardo Strozzi.

He moved to Rome about 1660, visiting Parma in 1669 to study the frescoes of Correggio.

His chief influence was Gian Lorenzo Bernini, who had befriended him and introduced him to his circle of Roman patrons.

Among Baciccia's principal works are his fresco decorations in the Roman churches Santa Agnese, executed from 1668 to 1671, and the Gesù, finished in 1685.

In these, particularly in the Gesù, Baciccia combines an ecstatic religious figure-style, derived from Bernini, and a melting, sensual treatment of the heads, derived from Correggio, with his own masterly organization of masses of light and shade and an attractive bravura of execution.

Baciccia's frescoes, a tour-de-force in illusionistic painting, depict the church's roof as opening up above the viewer, enabling the panorama to be viewed in true perspective di sotto in su.

Baciccia's ceiling in the Gesù, a masterpiece of quadratura (architectural illusionism), combines stuccoed and painted figures and architecture.

He also paints altarpieces and is well known as a portraitist of the papal circle.

In a time of frequent papal corruption, Innocent XI, considered the outstanding pope of the seventeenth century, largely because of his high moral character, is free from nepotism and his integrity is unquestioned.

In doctrinal matters, Innocent sympathizes somewhat with the Jansenists, followers of a non-orthodox ecclesiastical movement created by Bishop Cornelius Jansen of Ypres, which opposes Louis's religious policies.

Realizing that Protestantism has to be tolerated to maintain peace and manifesting some Jansenist sentiments of his own, Innocent opposes Louis's persecution of the Huguenots.

He furthers the threat of a break between France and the Holy See in May 1685 by acting against the French embassy in Rome for extending political asylum in such an abusive way that the neighborhood adjacent to the embassy has become a haven for criminals.

The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.

The Worship of the Holy Name of Jesus, with Gianlorenzo Bernini, on the ceiling of the nave of the Church of the Jesus in Rome.

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